☆ Download ☆ Opera in Seventeenth-Century VeniceKindle Ebook Author Ellen Rosand ☆ world war i – groundhogwalking.co.uk

Opera in Seventeenth-Century Venice Ellen Rosand shows how opera, born of courtly entertainment, took root in the special social and economic environment of seventeenth century Venice and there developed the stylistic and aesthetic characteristics we recognize as opera today With ninety one music examples, most of them complete pieces nowhere else in print, and enlivened by twenty eight illustrations, this landmark study will be essential for all students of opera, amateur and professional, and for students of European cultural history in general.Because opera was new in the seventeenth century, the composers most notably Monteverdi and Cavalli , librettists, impresarios, singers, and designers were especially aware of dealing with aesthetic issues as they worked Rosand examines critically for the first time the voluminous literary and musical documentation left by the Venetian makers of opera She determines how these pioneers viewed their art and explains the mechanics of the proliferation of opera, within only four decades, to stages across Europe Rosand isolates two features of particular importance to this proliferation the emergence of conventions musical, dramatic, practical that facilitated replication and the acute self consciousness of the creators who, in their scores, librettos, letters, and other documents, have left us a running commentary on the origins of a genre. Download Opera in Seventeenth-Century Venice – groundhogwalking.co.uk

    10 thoughts on “☆ Download ☆ Opera in Seventeenth-Century VeniceKindle Ebook Author Ellen Rosand ☆ world war i – groundhogwalking.co.uk

  1. This was one of the most enjoyable books I ever had to read while studying Musicology I was supposed to only skim the book in order to write a summary, but I ended up so engaged with the writing and the rich content that I read it in its entirety and it wasn t anywhere close to m...

  2. Ellen Rosand does good ole fashioned musicology she s primarily concerned with questions of compositional techniques, formal conventions, style change over time, taxonomies of genre, etc etc These are not sexy or exciting questions for many younger musicologists, but facility with that old school formal analysis is still invaluable in developing new readings of The Great Baggage, and that s what makes this book important It s an exhaustive and sometimes exhausting I m looking at you, cata Ellen Rosand does good ole fashioned musicology she s primarily concerned with questions of compositional techniques, formal conventions, style change over time, taxonomies of genre, etc etc These are not sexy or exci...

  3. This book is a extremely interesting and detailed look at the development of opera in Venice during the early Baroque era Rosand looks at everything from the philosophical ruminations on genre of the early scholarly librettists to the different types of arias and other musical forms that developed and became standard features of opera over the course of the century Although some of the detail can be a bit of a slog to get through, Rosand is a good enough writer to keep it all from becoming ted This book is a extremely interesting and detailed look at the development of opera in Venice during the early Baroque era Rosand looks at everything from the philosophical ruminations on genre of the early scholarly librettists to the different types of arias and other musical forms that developed and became standard features of opera over the course of the cen...

  4. Don t worry, it s actually only about 400 pages, the last 300 are appendices and musical examples